When I lived in Los Angeles and worked as a freelance writer, one of my favourite afternoon breaks involved going to the local art house movie theatre for an escape. The Laemmle Theatre in Pasadena always featured a good mix of indie and foreign films, plus they’d turn a blind eye when I’d sneak in a cup of good coffee from the cafe at Vroman’s Bookstore next door.
I typically chose European films for the ambiance. What is it about skirts fluttering against the tailwind of a Vespa that sparks a desire in every woman to live out her own Fellini-esque fantasy? For two hours I’d sit alone in the dark, quietly sipping coffee whilst absorbed in these fanciful flights of imagination.
I’d dream of one day visiting the seedy piano bar in The Beat That My Heart Skipped or the muted rouge-hued cafes in Amelie – with a dashing European suitor, of course. Like the young schoolgirl who spent her evenings envisaging a new life abroad whilst singing along to Sur les quais du vieux Paris in An Education, I too would aspire to one day turn my Francophile fantasies into reality.